<\/p>\n
– Piave based his libretto<\/strong> on Victor Hugo’s play.\n<\/p>\n <\/p>\n – He wrote the libretto<\/strong> for Verdi’s operas “La forza del destino”.\n<\/p>\n <\/p>\n – The libretto<\/strong> is attributed to Lincoln Kirstein and is based on the life of Billy the Kid.\n<\/p>\n <\/p>\n – It was first performed at the Teatro La Fenice in Venice, on February 3, 1823, libretto<\/strong> by Gaetano Rossi.\n<\/p>\n <\/p>\n – The German libretto<\/strong> is by Joseph Sonnleithner based on a French story.\n<\/p>\n <\/p>\n – The libretto<\/strong> is by Giovanni Francesco Busenello.\n<\/p>\n <\/p>\n – He knew Rameau’s take on the story from Voltaire’s libretto<\/strong> for an opera on the subject, but Rameau’s storm was a metaphor for the wrath of God.\n<\/p>\n – The young lady who wrote the libretto<\/strong> for Jan\u00e1\u010dek had been one of his daughter\u2019s close friends.\n<\/p>\n <\/p>\n – He made changes to the libretto<\/strong> himself.\n<\/p>\n <\/p>\n – Gaetano Donizetti wrote the music to a libretto<\/strong> by Felice Romani.\n<\/p>\n <\/p>\n – Three years later, he adapted a French play called “The Marriage of Figaro” to an opera libretto<\/strong> for Mozart.\n<\/p>\n <\/p>\n – The Italian libretto<\/strong> was written by Silvio Stampiglia.\n<\/p>\n <\/p>\n – He wrote many libretti for ballets at the Op\u00e9ra, and, in 1832, he wrote the libretto<\/strong> for “La Sylphide”, the seminal romantic ballet.\n<\/p>\n <\/p>\n – He also wrote the libretto<\/strong> for Umberto Giordano’s “Andrea Ch\u00e9nier”.\n<\/p>\n <\/p>\n – This was a brilliant libretto<\/strong> and it helped him to write a great masterpiece in which every little detail of the story is beautifully described by the music.\n<\/p>\n <\/p>\n – He wrote the libretto<\/strong> for “Le Spectre de la rose”, a ballet choreographed by Michel Fokine for Diaghilev’s Ballets Russes in 1911.\n<\/p>\n <\/p>\n – It is uncertain who wrote the libretto<\/strong> of the ballet.\n<\/p>\n <\/p>\n – The libretto<\/strong> is based on a newspaper report.\n<\/p>\n <\/p>\n – A libretto<\/strong> can also be the words for an oratorio, cantata, mass or a musical.\n<\/p>\n <\/p>\n – He had separated himself from the Ballets Russes after his libretto<\/strong> for “Sch\u00e9h\u00e9razade” had been attributed to L\u00e9on Bakst in the ballet’s theatre programmes.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Eug\u00e8ne Cormon and Michel Carr\u00e9.\n<\/p>\n <\/p>\n – The libretto<\/strong> was based on parts of Ludovico Ariosto’s “Orlando Furioso”.\n<\/p>\n <\/p>\n – The French languageFrench libretto<\/strong> was written by Jules-Henri Vernoy de Saint-Georges and Jean-Fran\u00e7ois Bayard.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Antonio Somma.\n<\/p>\n <\/p>\n – Britten asked Montagu Slater to write the libretto<\/strong> based on the story of Crabbe\u2019s poem.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Samuel and Bella Spewack.\n<\/p>\n <\/p>\n – At that time, da Ponte promised to write a libretto<\/strong> for Mozart.\n<\/p>\n <\/p>\n – Wagner wrote the libretto<\/strong> himself.\n<\/p>\n <\/p>\n – In 1874 he composed “I Pezzenti” with libretto<\/strong> by Fulvio Fulgonio which was staged at La Scala in September of that year and then in several European theaters.\n<\/p>\n <\/p>\n – Felice Romani writewrote the libretto<\/strong><\/strong>, after Eug\u00e8ne Scribe’s libretto<\/strong><\/strong> for Daniel Auber’s “Le philtre”.\n<\/p>\n <\/p>\n – He had almost finished his libretto<\/strong> for “Il trovatore” when he died in July 1852.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Jules Berbier and Michel Carr\u00e9.\n<\/p>\n <\/p>\n – Canepa was establishing itself more and more, and his third opera, “Riccardo III”, composed to a libretto<\/strong> by Fulvio Fulgonio and staged for the first time in 1879, received unanimous praise from critics and other celebrated composers, like Giuseppe Verdi and Amilcare Ponchielli.\n<\/p>\n <\/p>\n – He was the first composer to use a libretto<\/strong> by Pietro Metastasio for an opera.\n<\/p>\n <\/p>\n – The German libretto<\/strong> was written by the composer.\n<\/p>\n <\/p>\n – The libretto<\/strong> and choreography were composed by Michel Fokine.\n<\/p>\n <\/p>\n – The libretto<\/strong> was based on Carr\u00e9’s play “Faust et Marguerite”.\n<\/p>\n <\/p>\n – The libretto<\/strong> is by Fran\u00e7ois-Beno\u00eet Hoffmann.\n<\/p>\n <\/p>\n – It was composed to a libretto<\/strong> in the French language by Camille du Locle and Joseph M\u00e9ry.\n<\/p>\n <\/p>\n – Andrew Neiderman is also the author of “The Devil’s Advocate” which was made into a movie, and wrote the libretto<\/strong> for a live musical adaptation of “The Devil’s Advocate”.\n<\/p>\n <\/p>\n – The libretto<\/strong> for the opera was written by Myfanwy Piper.\n<\/p>\n <\/p>\n – He ended his career as a composer with the operetta tragicomic “Amsicora”, composed to a libretto<\/strong> by Salvatore Scano and staged at the Teatro Verdi in Sassari in April 1903.\n<\/p>\n <\/p>\n – The idea about a ballet based on a puppet was Stravinsky’s, but the libretto<\/strong> was almost certainly the work of Benois.\n<\/p>\n <\/p>\n – The libretto<\/strong> is by Felice Romani.The opera was first performed at La Scala in Milan, on December 26, 1831.\n<\/p>\n <\/p>\n – The French languageFrench libretto<\/strong> was written by Jules Barbier and Michel Carr\u00e9.\n<\/p>\n <\/p>\n – Tchaikovsky\u2019s brother Modest helped him to prepare the libretto<\/strong> for the opera.\n<\/p>\n <\/p>\n – The libretto<\/strong> are based on a comedy by Pierre Beaumarchais called “The Barber of Seville”.\n<\/p>\n <\/p>\n – The libretto<\/strong> is by Arrigo Boito, based on William Shakespeare’s play “Othello”.\n<\/p>\n <\/p>\n – More than 800 operas have a libretto<\/strong> by Metastasio.\n<\/p>\n <\/p>\n – The latter played Beethoven in Hugo\u2019s home, and Hugo joked in a letter to a friend that thanks to Liszt\u2019s piano lessons, he learned how to play a favourite song on the piano \u2013 even though only with one finger! Hugo also worked with composer Louise Bertin, writing the libretto<\/strong> for her 1836 opera “La Esmeralda” which was based on the character in “The Hunchback of Notre Dame”.\n<\/p>\n <\/p>\n – The language of the libretto<\/strong> is very deliberately old-fashioned.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Luigi Illica and Giuseppe Giacosa.\n<\/p>\n <\/p>\n – He wrote his first opera libretto<\/strong> in 1724.\n<\/p>\n <\/p>\n – A libretto<\/strong> is the text which are set to music to make an opera.\n<\/p>\n <\/p>\n – The libretto<\/strong> had been written by Baron Gottfried van Swieten who was an Austrian nobleman who liked music.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Giuseppe Giacosa and Luigi Illica.\n<\/p>\n <\/p>\n – He became fascinated by Shakespeare and he wrote “Otello Otello” to a libretto<\/strong> by Arrigo Boito.\n<\/p>\n <\/p>\n – The opera had one act and its libretto<\/strong> was written by Jalmari Finne.\n<\/p>\n <\/p>\n – It was based on an earlier libretto<\/strong> written by Giacomo Francesco Bussani.\n<\/p>\n <\/p>\n – He is best remembered for having written the libretto<\/strong> for the ballet, “Copp\u00e9lia” and for having helped translate Richard Wagner’s earliest operas into French.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Antonio Ghislanzoni.\n<\/p>\n <\/p>\n – He wanted Haydn to write a second oratorio, so he wrote the libretto<\/strong> for “The Seasons”.\n<\/p>\n <\/p>\n – The libretto<\/strong> was written by Modest Tchaikovsky.\n<\/p>\n <\/p>\n – Usually a libretto<\/strong> is written before the music, but sometimes composers wrote some of the music first and then looked for words to go with it.\n<\/p>\n <\/p>\n – The libretto<\/strong> is by \u00c9tienne de Jouy.\n<\/p>\n <\/p>\n – The libretto<\/strong> are in Italian and were written by Giambattista Varesco.\n<\/p>\n <\/p>\n![\"libretto](\"https:\/\/englishteststore.net\/blog\/wp-content\/uploads\/2021\/09\/libretto-in-sentences.jpg\" "\\"libretto")
Example sentences of “libretto”:<\/h2>\n
- The young lady who wrote the libretto<\/strong> for Jan\u00e1\u010dek had been one of his daughter\u2019s close friends.\r\n
- He made changes to the libretto<\/strong> himself.\r\n
<\/pre>\nMore in-sentence examples of “libretto”:<\/h2>\n
- Wagner wrote the libretto<\/strong> himself.\r\n
- In 1874 he composed \"I Pezzenti\" with libretto<\/strong> by Fulvio Fulgonio which was staged at La Scala in September of that year and then in several European theaters.\r\n
- Felice Romani writewrote the libretto<\/strong><\/strong>, after Eug\u00e8ne Scribe's libretto<\/strong><\/strong> for Daniel Auber's \"Le philtre\".\r\n
<\/pre>\n