How to use in-sentence of “counterpoint”:
– In prison he wrote “De Profundis”, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure.
– As well as teaching him counterpoint and introducing him to the music of J.S.Bach he trained his son’s musical ear by getting him to sing a tune in one key while he played the accompaniment in another.
– After completing high school in Galați, and graduating from the Popular School for the Arts in BraşovBrașov, where he studied harmony and counterpoint with Victor Bickerich, Lupu continued his piano studies at the Bucharest Conservatory, and Cella Delavrancea, studying also composition with Dragos Alexandrescu.
– He did not like the counterpoint lessons, but it did help him to study different styles of music and he became very good at writing harmony in a clear way.
– He returned to Prague and arranged to have lessons in harmony, counterpoint and composition.
– They study such things as harmony and counterpoint to help them understand the way that the composers were thinking when they put the piece together.
– He was very good at writing counterpoint and his music has some very striking effects.
– He was very good at writing counterpoint as well as lovely melodies.
Example sentences of “counterpoint”:
– He studied composition composition under Charles-Marie Widor and harmony and counterpoint with André Gédalge.
– He left the Conservatoire in 1895, but went back in 1897 to study Composition composition with Gabriel Fauré and counterpoint and orchestration with Andreé Gédalge.
– Clara not only learned the piano, she also studied singing, the violin, instrumentation, score reading, counterpoint and composition.
– He uses counterpoint a lot in this opera.
– Schoenberg taught him harmony, counterpoint and music theory, all the things one needs to know to compose well.
– Students learning the art of composition today still learn counterpoint by taking Palestrina’s music as their model.
– From 1760 he studied counterpoint with František Habermann and organ with Josef Seger.
– He showed him how to write advanced counterpoint and fugues.
– In 1921 he went to Paris where he studied the violin with Pierre Baillot, and counterpoint and harmony with François-Joseph Fétis at the Paris Conservatoire.
– He was known for composing music about harmony and counterpoint music.
- He studied composition composition under Charles-Marie Widor and harmony and counterpoint with André Gédalge.
- He left the Conservatoire in 1895, but went back in 1897 to study Composition composition with Gabriel Fauré and counterpoint and orchestration with Andreé Gédalge.